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Wednesday, 8 February 2012
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Film Composer Maurice Jarre Dies

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Monday, 30 March 2009

French composer Maurice Jarre, best known for his music on classic Hollywood films, has died in Los Angeles at the age of 84, BBC reported.

Jarre, who had been suffering from cancer, rose to prominence relatively late in life.

His breakthrough came in 1962 when he wrote the score for Lawrence of Arabia, for he was awarded an Oscar.

He won two further Oscars for Doctor Zhivago and A Passage to India, and composed music for more than 150 films.

His scores enhanced the work of some of the film industry's greatest directors - among others David Lean, Alfred Hitchcock, John Huston and Luchino Visconti.

He also wrote symphonic music for theatre, ballet and television, including the 1970s mini-series Jesus of Nazarath.

Jarre, who moved to the US in the 1960s, was married four times and is the father of Jean-Michel Jarre, a pioneer of electronic music.

One of his final public appearances was at the Berlin International Film Festival in February, where he received a lifetime achievement award.

At the time, festival director Dieter Kosslick paid tribute to Jarre saying: "Film composers often are in the shadows of great directors and acting stars.

"It's different with Maurice Jarre - the music of Doctor Zhivago, like much of his work, is world-famous and remains unforgettable in cinema history."


Monday, 30 March 2009

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guest wrote on Wednesday, 1 April, 2009 21:59:23
Jarre was one of the first film composers I was really aware of as child. His already legendary status was burned into my memory one chilly New England evening when I watched (with my grandmother) “Lawrence of Arabia” on the television. Lying on the indigo-rag carpet of my Grandmother’s living room floor I was transfixed, nothing could have seemed or sounded more exotic.

In the years to come both “Dr. Zhivago” and “A Passage to India” had a similar effect on me and in one of those lateral steps in life, twenty-five-years later I found myself in Bangalore, India working with Ashok Mandanna, one of the stars of “A Passage to India”. I remember in particular an afternoon at Ashok's home, where over tea, we discussed Lean, Jarre and the production of the film. It was an amazing afternoon, really great fun and a long long way from Autumnal New England nights.

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