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													<font face="Georgia" color="#003366" size="5">Sun is Also Fire</font></b></td>
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	<font face="Georgia" style="font-size: 12px; line-height: 15pt"><pre>           SUN IS ALSO FIRE<br>                          H. B. Paksoy<br><br>[First published in<br>CENTRAL ASIAN MONUMENTS  (Istanbul: Isis Press, 1992)<br>Reprinted with permission]<br><br><br>The particular conditions of writing history in the Soviet Union<br>have been partially documented, although far less often in the<br>case of the Asian territories. Lowell Tillett1, Wayne S.<br>Vucinich2 and C. E. Black3 have shown that especially since World<br>War II, the Communist Party of the Soviet Union (CPSU), Soviet<br>Academies of Sciences and their branches have mandated that the<br>history of the non-Russians and their relations to the Russian<br>state and to the ethnic Russians themselves is and has always<br>been positive, "progressive" and beneficial to the non-Russians.<br>With respect to Central Asia, Soviet officialdom has been and is<br>eager to legitimize both its conquest and present position in the<br>region as Central Asians constitute approximately one-fifth to<br>one-fourth of the Soviet population and occupy a substantial<br>portion of the Asian land-mass.<br><br>The Central Asian authors have responded to the restrictions on<br>history writing by reporting accurate history and relaying<br>messages of the past in the guise of literature. The field of<br>literature has its own strictures. Thus, Central Asians have<br>tried to ensure that their output is both the real history and<br>sufficiently veiled (for example, under the "yarn" genre) to pass<br>censorship. This is an effort to maintain the historical identity<br>which Central Asians see is under attack by the Russian-dominated<br>party, state and academic apparatus in the official "histories."<br>One must observe the recent publishing activity of the Central<br>Asians, in their dialects, especially since late 1970s. These<br>efforts represent a renewal of activity since the interruption<br>caused by the "liquidations" of the 1930s.<br><br>The efforts of the past decade constitute a renewal -- rather<br>than initiation -- of activity because history, politics and<br>literature have always been inseparable in Central Asia. This has<br>been true regardless of the era or form of government. The<br>tradition is continuing as ever, with "fiction" and "novel"<br>genres now being used not only to bear a contemporary message,<br>but to relay the lessons of real historical events and written<br>monuments of Central Asian history to the indigenous populace. To<br>recognize these messages -- both contemporary and historical --<br>of these new works of "fiction," serving as platforms for true<br>history texts for the Central Asians, it is imperative that the<br>Western reader be equipped with the historical knowledge being<br>referenced by the Central Asian writer and recognized by his<br>readers.<br><br>"SUN IS ALSO FIRE" ("Kuyas ham Alov") is one such work of<br>supposed fiction that contains accurate historical information,<br>quotations from key historical monuments of Central Asia, and<br>which bears several messages relevant to the contemporary<br>population. "SUN IS ALSO FIRE" is a "short story" by Alisher<br>Ibadin, printed in the periodical Gulistan (published in the<br>Uzbek SSR), in its issue No. 9, 1980. Examination of current<br>Soviet textbooks suggests that the works implicitly referenced<br>(identified below) in this "short story" are not generally<br>available or taught in Soviet schools. In this effort, Ibadin is<br>presenting himself as a conduit, a bridge to the real past. In<br>verbalizing the thoughts of the collective ancestry, he is taking<br>a great personal risk -- perhaps, like the central figure of the<br>"tale," pouring (symbolic) naphtha on himself. The main theme of<br>"SUN IS ALSO FIRE" reflects the messages of both the sources and<br>the historical events to which Ibadin alludes -- a struggle for<br>independence against an invading alien, preservation of the<br>culture of one's ancestors and the self sacrifice required for<br>the task. Along the way, purification, by fire, is woven into the<br>main flow, an important historical motif. <br><br>One of the most powerful messages of "SUN IS ALSO FIRE" is<br>represented by the epigram with which Ibadin begins:<br><br>     "If the sky above did not collapse, and if the earth below<br>     did not give way, O Turkish people, who would be able to<br>     destroy your state and institutions?"<br><br>These words come from the Orkhon-Yenisei tablets inscribed in the<br>first third of the 8th century.4 The tablets are the earliest<br>known surviving written monuments of the Turks in their own<br>language. They recount the fall of a great Central Asian Turk<br>empire in the 7th century and the leaders who rebuilt it. It is<br>not only the story of national reconstruction after subjugation<br>(in this case, by the Chinese) and thus a message of confidence,<br>but contains the sobering lesson that the loss of the earlier<br>empire was the fault of the Turks themselves because they forsook<br>the ancestral values. It is from that passage that Ibadin took<br>this admonition.<br><br>The use of the Orkhon inscriptions bears also an indirect message<br>-- these tablets were inscribed more than 250 years before the<br>conversion of the Rus and, therefore, some 300 years before an<br>alphabet was invented for the Russians. In fact, the stelae<br>predate -- by a wide margin -- the first mention of the Rus in<br>any written chronicle (i.e. Annales Bertiniani of the 9th c.).<br>Consequently, the tablets are a not so subtle reminder that the<br>culture of the Turks is of greater antiquity than that of their<br>present-day overlords. Since the tablets describe an empire even<br>earlier than the time of the inscriptions, the reminder is<br>redoubled -- the Turks' empire preceded the Kievan state as well<br>as Russian literacy. This may be deemed a backlash against the<br>contents of the current Soviet textbooks.<br><br>Additional historical references emerge in the first few lines of<br>the narrative itself. The central figure of "SUN IS ALSO FIRE" is<br>named Alp Tekin. An "alp" is a battle-tested young man, or woman,<br>with a noble and distinguished character and "Tekin," or "Tigin"<br>denotes a Turk prince. There are, however, several known<br>historical Alp Tekins, each with a specific message to the<br>audience. Bartold5 mentions four: of Bukhara, the Hajib<br>(Chamberlain) of Khwarazm Shah, A. D. 1071; of Ghazna, in Samanid<br>kingdom, d. A. D. 963, who founded a new state on the territories<br>of Ghazna, having risen from the position of a military<br>bondsman6; the ambassador to Sultan Masud in A. D. 1036; and of<br>Kara-Khitay in A. D. 1141, who restored the castle in the city of<br>Bukhara. Certainly, the Alp Tekin who founded the Ghaznavids is<br>the most likely one Ibadin wishes readers to focus on -- the Alp<br>Tekin who established an independent state for his followers.<br><br>Ibadin continues his historical text: When Alp Tekin is awakened,<br>he jumps up, prepared for battle and asks whether the enemy, the<br>Arabs, are attacking. The reference, of course, is to the Arab<br>conquests of Central Asia in the 8th century. There are several<br>references (by name) to a "Talas battle." There were several<br>battles at that location, and the most well known took place in<br>A. D. 751 between the Arabs and the Chinese.7 Although the overt<br>theme here is protection of the homeland from invasion, the<br>emphasis throughout is not so much on the fear of physical<br>occupation, but rather its result -- the threat to the native<br>culture, particularly the religion and language of the ancestors.<br>Because it is Islam (and Arabic) that these invaders represent,<br>many a Western reader, imbued with the present thought that<br>attributes everything in Central Asia to Islam, may see here a<br>simple anti-Islamic message reflecting official CPSU policy.<br>Perhaps Ibadin relied on such a presumption also entering the<br>minds of Soviet authorities. But in view of tsarist and Soviet<br>Russification policies and their emphasis on the use of the<br>Russian language, one must also see a broader intent. It is the<br>imposition of an alien language, whatever it may be, that is the<br>threat to culture. <br><br>Furthermore, and although the depiction of Arabs as enemies and<br>Islam as an alien faith may coincide with Russian policies, the<br>examination of Islam and the degree to which it ought to be part<br>of the Central Asian identity has deep historical roots. The<br>Central Asian educated stratum debated this question (yet again)<br>at the turn of the 20th century, inter alia, on the pages of the<br>St. Petersburg newspaper Mir Islama. Throughout "SUN IS ALSO<br>FIRE," the emphasis is not so much "anti-Islamic" as it is "pro"<br>the ancestral religion and traditions.<br><br>As soon as Ibadin delineates his main reference points, he has<br>Alp Tekin invoke the aid of more well known and historical Turks,<br>those who gained fame even before the arrival of invading Arab<br>armies, to solve the problems Alp Tekin is facing. The resulting<br>effect is that a Turk is looking up to another, a more ancient<br>Turk, to emulate as a role model. Among these role models, six<br>are rather significant and recalled by name. Alp Er Tunga is the<br>first. He is revered even by his medieval "biographers" and his<br>name repeatedly appears in the Kultigin stela of the Orkhon<br>group.8 <br>     <br>On the same man, Balasagunlu Yusuf, in Kutadgu Bilig comments: <br>     "If you observe well you will notice that the Turkish<br>     princes are the finest in the world. And among these Turkish<br>     princes the one of outstanding fame and glory was Tonga Alp<br>     Er. He was the choicest of men, distinguished by great<br>     wisdom and virtues manifold. What a choice and manly man he<br>     was, a clever man indeed--he devoured this world entire! The<br>     Iranians call him Afrasiyab, the same who seized and<br>     pillaged their realm."9<br> <br>Kashgarli Mahmut, in Diwan Lugat at-Turk also cites an elegy for<br>Alp Er Tonga:<br>     "Has Alp Er Tonga died? / Does the wicked world remain empty<br>     of him? / Has time exacted its revenge upon him? / Now the<br>     heart bursts..."10<br><br>Kashgarli further identifies him:<br>     "Tunga (tiger)...King Afrasiyab, Chief of the Turks, meaning<br>     a man, a warrior, (as strong as) a tiger."11<br><br>For Tonyukuk, another revered historical Turk alluded to in the<br>narration, Ibadin provides a footnote:<br>     "FN 24. During the I. and II. Turk Kaganates, a very high<br>     ranking political personage."<br><br>From available sources, it is known that Tonyukuk was the chief<br>advisor to rulers Ilteris and Bilga Kagan, the latter of whom was<br>apparently responsible for all the Orkhon stelas, including one<br>erected in Tonyukuk's honor ca. 720 A.D. Tonyukuk himself was<br>alive in 716, at Bilga Kagan's accession and is believed to have<br>died a few years later.12<br><br>A third historical personage to whom Ibadin alludes is Sebuk<br>Tegin (d. A. D. 997), the protege of Alp Tekin of Ghazna. After<br>Alp Tekin's death in A. D. 963, as with at least two other<br>commanders preceeding him, Sebuk Tegin was elected the commander<br>of the army by its troops in A. D. 977. In 15 years time, he was<br>the ruler of all Ghaznavid territories.13 <br><br>The case of the historical Bugra is not difficult either. Han<br>Suleyman b. Yusuf (Bugra Tekin), lived c. A. D. 1040, at the time<br>of the Dandenekan battle. The events of this period broadly<br>involve struggles to control Transoxiana, with the Ghaznavids in<br>the middle, Seljuks to the West and the Karakhanids to the East.<br>There are also a number of other Bugra Han [Khan] of the same<br>period. Moreover, Balasagunlu Yusuf dedicated the Kutadgu Bilig<br>to Karakhanid Bugra Khan.14  What is inconsistent with his<br>demonstrated knowledge of history, is the fact that Ibadin cast<br>the Bugra of "SUN IS ALSO FIRE" in a rather dim light. One<br>wonders if he did not have access to credible historical sources<br>on the Seljuks, Karakhanids or Ghaznavids. Or, perhaps, he had<br>some other, special purpose in mind, such as warning the members<br>of his readership about complacency and unacceptable behavior in<br>the manner of his Bugra Bek. Possibly, Ibadin points to Tabgach<br>Bugra Khan, to which Kutadgu Bilig was dedicated, to suggest he<br>did not follow the admonitions in that manual of statecraft, and<br>thus caused the decline of the Karakhanids.<br><br>Ibadin introduces a fifth historical name, Tarhan. Though<br>"Tarhan" is a title denoting a member of the ruling elite, it has<br>also been used as a personal name. Bartold chronicles a "Tarkhun"<br>being active c. A. D. 701-4, "the leader of the native princes,<br>Tarkhun, the Ikhshid of Sogd." Togan15  details the use of the<br>word, based on the writings of seven medieval historians,<br>indicating "Tarhan" was a title given to some Turk rulers.<br>Togan's description includes a Tarhan of Kashghar c. A. D.<br>775-785, Arslan Tarhan of Kashan near Fergana A. D. 739, and<br>several others up to A. D. 893. This cross-referencing of Tarhan<br>and Arslan somewhat complicates the picture. Bartold lists no<br>fewer than twelve rulers carrying "Arslan" as part of their<br>names. The majority of those Arslan lived 11-13th centuries A. D.<br>(It must be remembered that many individuals in Central Asian<br>history had their given names before assuming titles associated<br>with acquired or inherited positions of authority). There is,<br>however, one "Arslan Khan Ali, who, according to Jamal Karshi (a<br>period historian), died a martyr's death in January 998: the<br>nature of his death may be guessed from the epithet Hariq (`the<br>burned') applied to him."16<br><br>Ibadin has Alp Tekin make a reference to a sixth historical<br>personage, Bumin Han, a Turk prince, referenced in Kul Tigin. He<br>is one of the ancestors of Kul Tigin, "... who organized and<br>ruled the state and institutions of the Turkish people."17<br><br>There are also specific references to the land on which the<br>depicted events are taking place. That aspect, too, is critical<br>to the understanding of history, the bond between the people and<br>the homeland and how it relates to the readership. The footnotes<br>to the translated work provide the details of how those<br>geographic locations are significant and to which historical<br>sources they may be traced.<br><br>Next, Ibadin brings in concrete references to personal sacrifice<br>for the homeland, manifesting itself as consumption by fire.<br>Reverence for fire is most commonly associated with<br>Zoroastrianism, but exists also in many belief systems. Most<br>salient for the present case, Central Asian Shamanism is known to<br>encompass reverence for fire. In his study of Shamanism, the late<br>Mircea Eliade writes: <br>     "The idea that fire ensures a celestial destiny after death<br>     is also confirmed by the belief that those who are struck by<br>     lightning fly up to the sky. 'Fire,' of whatever kind,<br>     transforms man into 'spirit;' this is why shamans are held<br>     to be 'masters over fire' and become insensitive to the<br>     touch of hot coals. 'Mastery over fire' or being burned are<br>     in a manner equivalent to an initiation. A similar idea<br>     underlies the conception that heroes and who all die a<br>     violent death mount to the sky; their death is considered an<br>     initiation. On the contrary, death from disease can only<br>     lead the deceased to the underworld; for disease is provoked<br>     by the evil spirits of the dead."18<br> <br>Such beliefs and practice were still alive in Central Asia during<br>the early part of the 20th century. The late Z. V. Togan relates<br>a particular event, when he was involved in the Basmaci Movement<br>of 1920s. At one point Togan was taken ill seriously. His<br>companions carried him to a shaman. Togan narrates:19<br>     "In an Ozbek [sic] tent, a large fire was lit. The bakhsi<br>     (shaman)20, had a jet-black beard, appearing to be forty<br>     years of age, with a robust body, but was otherwise a<br>     seemingly normal person... An iron shovel was placed in the<br>     fire. He lifted this spade, inserting a wooden handle. The<br>     wood handle caught fire. He {shaman} filled his mouth with<br>     water and sprayed the spade. The bouncing droplets of water<br>     {from this process} were striking my face, burning me...<br>     Finally, the shaman grasped this spade with his teeth. He<br>     encircled me several times with it, and threw it back into<br>     the fire... Despite the fact that he had held the burning<br>     spade in his mouth, his black mustache was not {even}<br>     singed."<br><br>Among the Central Asians, the motif of "burning in fire" in the<br>course of an independence movement is not confined to one<br>location. For example, in 1927, Jafar Jabarli, an Azarbaijan<br>author wrote a novel with the title Od Gelini (Bride of Fire).<br>The main theme of this novel being the heroic battle of the<br>Azerbaijanis against Arab invaders. It was also translated into<br>Russian, under the title Nevsta ognia21 and Ibadin's work appears<br>to share sentiments with it.<br> <br>More recently is the case of Musa Mamut, a Crimean Tatar<br>activist, striving to facilitate the return to the Crimean<br>homeland of all Crimean Tatars who had been forcibly exiled to<br>Central Asia by Stalin.22 After much harassment from the<br>authorities for his activities, Musa Mamut poured gasoline on<br>himself and committed self-immolation in 1978, in the village of<br>Beshterek {in Simferopol' district in Crimea}. He died from the<br>burns he sustained.23  The close proximity of this incident to<br>the time of Ibadin's writing should be noted. <br><br>It is necessary further to point to three groups of issues<br>pertinent to the readers of "SUN IS ALSO FIRE:" Sources,<br>Motivation and Intentions. <br><br>Sources -- As noted, Ibadin's sources are clearly discernible. He<br>has thoroughly studied the primary Monuments of his patrimony:<br>The Turk stelas erected in the 8th century along Orkhon-Yenisey;<br>the 11th century Compendium of Kasgarli Mahmut; Kutadgu Bilig of<br>Balasagunlu Yusuf, also of the 11th century A. D. Nor did he<br>neglect the secondary sources. He is obviously quite comfortable<br>with Bartold's Turkestan. He is unlikely to have confined himself<br>to those, however, since there are other references in the work<br>that reach beyond these volumes.24<br> <br>Motivation -- "SUN IS ALSO FIRE" has appeared during 1980, less<br>than a year of the Soviet occupation of Afghanistan. One cannot<br>help but wonder if Ibadin is using the Arab example of the 8th<br>century because -- at that point in time --  he could not refer<br>to the Russian occupation of Central Asia in the 19th century.<br>Does he wish his readers to make the substitution? Or perhaps he<br>is addressing the multinational population of Afghanistan,<br>bringing the example of Central Asia to their attention, urging<br>them on to carry on with their independence struggle. It should<br>be noted that, soon afterwards, Afghan historical literature also<br>began appearing in the Uzbek press.25<br><br>The plot of "SUN IS ALSO FIRE" is set partly on soil which is now<br>Afghanistan, the medieval Ghaznavid territories, and partly in<br>the Talas region at the opposite (Eastern) end of Central Asia.<br>The depicted events take place 900 to 1300 years ago. Given the<br>fact that Ibadin demonstrates his historical knowledge and his<br>facility with the sources, this ambiguity or blurring in time and<br>territory seems to have been intentional and perhaps designed to<br>emphasize the broad applications of the message.<br><br>Intentions -- The workings of the censorship mechanism of<br>Imperial Russia26 and the Soviet Union27 are documented.<br>Occasionally there appear to be some breakdowns in what strives<br>to be a comprehensive system. One such incident is discernible<br>immediately after the Soviet occupation of Afghanistan. A<br>sweeping change took place among the editorial personnel of Uzbek<br>newspapers and journals in September 1980. In this period, under<br>new editors, Uzbek journals published quite a few intensely<br>nationalistic "novelettes," and "short stories." In 1982, just as<br>abruptly, the editorial personnel were once again changed.<br>Although the exact nature of this period, or the underlying<br>political implications is not yet fully understood, the effects<br>were notable. "SUN IS ALSO FIRE" was published {September 1980}<br>at the very beginning of the first change.28<br> <br>There are other concerns ever-present in the minds of Central<br>Asian authors. Two are among the most prominent.<br><br>1. The Socialist Realism filter -- From the outset (as in this<br>resolution passed by the CPSU on 18 June 1925), the Soviet regime<br>established that "...in a classless society there is and can be<br>no neutral art."29 Thus, arts and literature are and must be a<br>means for the dissemination of state and party propaganda. No<br>writer living in the present Soviet domains is allowed to produce<br>any work without adhering to the Socialist Realism formulated in<br>the 1920s-30s and demanded by the state even now.30 Although the<br>"intensity" of Socialist Realism may fluctuate with time and<br>efforts at enforcement, it is essentially ever present.31<br><br>Because the ideological function of the arts was first<br>articulated by Lenin and later reiterated by his followers ad<br>nauseam, no literary work can clear the censorship {at least<br>theoretically} if it does not conform to the manuals prepared and<br>distributed for the purpose of ideological screening. Hence, when<br>an author decides to risk his career, his life and those of his<br>family members, in order to "speak his mind," he is obliged to do<br>it in "doublespeak." That fact, too, may have contributed to the<br>mixing of the two periods noted above. The interrelationship of<br>historical references displayed in the "fiction" may also<br>indicate the political tendencies or positions apparently<br>acceptable to the authorities charged with the censorship task at<br>the time of writing.<br><br>2. Ostensible "Pan Turanism" -- Ibadin continually hammers at the<br>theme of "unity" among Turks, especially in their efforts to<br>resist foreign invasion. Many Western and Russian authors have<br>discerned such efforts to be a sign of "Pan Turanism," ostensibly<br>a movement by Turks to establish hegemony over the world, or at<br>least Eurasia. In fact, this "Pan" movement has no historical<br>ideological precedent among Turks and has been documented to be a<br>creation of the Westerners. Around the time of the occupation of<br>Tashkent by Russian troops in 1865, the doctrine called<br>"Pan-Turanism" or "Pan-Turkism" appeared in a work by Hungarian<br>Orientalist Arminius Vambery.32 Vambery, it is now known, was in<br>the pay of the British Government.33 <br> <br>The doctrine was invented, propagated and attributed to the Turks<br>by the Europeans as part of 19th century balance-of-power<br>struggles, both in the matter of the weakened Ottoman Empire and<br>against the Russian expansion in Central Asia. Dubbed the "Great<br>Game in Asia," by its practitioners, the origins and means of<br>this contest have been studied by E. Ingram.34<br> <br>Later, and even today, various Western entities have used this<br>pseudomovement as a "bogey-man" to reap financial benefits, to<br>"fortify the West" against "yellow hordes" sweeping out of Asia<br>and swamping "Christendom." For example, L. Cahun's Introduction<br>a l'Histoire de l'Asie, Turcs, et Mongols, des Origines a 1405 35<br>was written to suggest that a racial superiority motivated the<br>conquests of the Mongol Chingiz Khan. It is perhaps not<br>coincidental that this book was published on the heels of the<br>1893-1894 Franco-Russian rapprochement, at a time when Russia<br>justified its conquest of Central Asia as part of its own<br>"civilizing mission." <br> <br>In the Secret History of the Mongols, written c. 1240 A. D.,<br>after the death of Chingiz, there is, of course, no reference to<br>the racial superiority of the Mongols. Instead, it quotes<br>Chingiz: "Tangri (God) opened the gate and handed us the<br>reins,"36 indicating that Chingiz regarded only himself ruling by<br>divine order. The "Great Khan" himself was and remained the focus<br>of power, as opposed to the clans under his rule. In any event,<br>the Mongol armies were distinctly multi-racial.37<br><br>Another representative sample of this early phase of the<br>"movement" is A Manual on the Turanians and Pan-Turanianism38 a<br>work that was based on Vambery's Turkenvolk39 and that it was<br>compiled by Sir Denison Ross, as Sir Denison later personally<br>informed Togan.40 Even Alexander Kerensky, in Paris exile after<br>the Bolshevik Revolution, was utilizing the same "Turanian"<br>rhetoric, calling it "a menace threatening the world."41<br> <br>Despite its European origins and apart from its European goals,<br>the idea took root among some Central Asian emigres, as it<br>promised the removal of the Russian occupation and subsequent<br>colonization in their homelands.42 Accusations of "Pan-Turkism"<br>are still employed today, especially but not exclusively in the<br>Soviet Union, against even cultural movements, scholarly works on<br>the common origins and language of the Turks, even in conflict<br>with and refuting another Soviet position that the dialects are<br>separate and distinct "languages." The Soviet state has exerted<br>much effort to introduce the "idea" of this "scientific finding,"<br>the existence of separate "Turkic languages" among Central<br>Asians. It must be noted that in no Turk dialect or "language,"<br>is there any such distinction as "Turkic" and "Turkish." This<br>distinction exists in some Western languages, as well as Russian,<br>with the latter referring to the Ottoman or Turkish republican<br>domains and the former, to other Turks.43 It is noteworthy that,<br>before the arrival of the Russians, the Central Asians were able<br>to communicate among themselves, apparently totally oblivious to<br>the fact that they were speaking in "totally separate and<br>distinct languages."<br><br>The search for the historical sources and beginnings of their<br>history is by no means confined to the inhabitants of one Soviet<br>Republic or efforts of a single author. Though no comprehensive<br>study of this aspect is made, the manifestations are so numerous<br>in the Central Asian press that it is difficult to evade or<br>ignore them. Even the tracing of history back to the Orkhon<br>monuments, is not isolated any longer; one crosses paths of other<br>examples: Qulmat Omuraliev in Kazak Edebiyati No. 30 (1982)44;<br>Ismail Ismailov, "Eski Yazili Abidelerde Hemcins Uzviler" in<br>Azarbaijan Filologiyasi Meseleleri Vol. 2. (Baku: Elm, 1984)45;<br>Suyerkul Turgunbaev "Bayirki Kultegin Esteligi: VI - VIII<br>Kilimdardagi Turk Poeziyasinan" Ala Too No. 9, 1988.46<br><br>The full-length translation presented below does not strive to<br>"Westernize" the narration of Ibadin's work. All punctuation is<br>as in the original, including the ellipses and changes in<br>scenery. Sentence structure is also preserved to the extent<br>possible. Ibadin provides 30 footnotes of his own throughout the<br>text. Most are related to the explanations of words he has used,<br>which do not appear in present-day dictionaries. Additional notes<br>contain references that are supplied by the present writer, to<br>place the work and its implications into perspective.<br><br>It must also be reiterated that the mixing of time periods and<br>historical references arbitrarily, of the 8th and the 11th<br>centuries A. D., and juxtaposition of real historical personages<br>with events that may not have taken place appear to be<br>intentional, so as to give the work an air of "fiction," thus<br>avoiding Soviet censorship. Thus the "story" can be read as a<br>"fiction" or a series of tightly packed and "indexed" real<br>history to the readership. <br><br>"SUN IS ALSO FIRE"<br>     "If the sky above did not collapse, and if the earth below<br>     did not give way, O Turkish people,47 who would be able to<br>     destroy your state and institutions?48<br> <br>     As written in the Kul Tigin Funerary Tablets, VII Century." <br><br>-- "Alp Tekin, on your feet! Do not tarry, Alp Tekin!" <br><br>As he opened his eyes, Alp Tekin swiftly grasped his sword from<br>underneath the pillow.  <br> <br>-- "Is it the enemy, the Arabs?" he demanded. <br> <br>-- "No, a letter is arriving from the orda...49 perhaps..." said<br>the karabash,50 as he hesitated, embarrassed by the anguish his<br>excitement caused his Bey.51<br><br>Alp Tekin tied a silk scarf around his forehead, tucking his<br>singly braided hair to his belt, walked outside. <br><br>Sorrowful autumn. Scarlet leaves were spread around, covering the<br>ground, making it appear as if splashed with blood. At a<br>distance, some as yet unidentified horsemen were seen approaching<br>the fortified position.<br><br>-- "If from the Orda... who?" thought Alp Tekin. Then, his<br>handsome face clouded with some disturbing thought, his heart<br>sank: "Jibilga!" A longing look briefly lingered in the squinting<br>eyes of the traditional Alpagut.52<br><br>"No, -- the yigit53 sighed deeply, -- what would Jibilga be doing<br>in Kitkan?" Pacing to-and-fro under the stronghold gate, he<br>recalled the events that brought him to Kitkan...54<br><br>During the spring of 739 A. D., Arslan Tarhan,55 the Hakan56 of<br>Ferghana, attacked with his troops the domains of Talas Hakan<br>Tugasiyen57, destroying the land and scattering the army of the<br>latter. The fighting between these Turk tribes did not produce a<br>winner. Unfortunately, the severe losses of the Turks, as a<br>result of internecine fighting, were benefiting the Arabs who<br>were amassing troops at the foothills of Usrushana.58 Moreover,<br>the Turk State, keeping its existence by the force of sword<br>against the Chinese troops in Davon59 was weakened. <br><br>The Arabs, owning half the earth, had occupied the roads leading<br>to Ferghana and were waiting for an easy opportunity. Three or<br>four months after the Talas battle, the Khaliph's governor in<br>Khorasan, Nasr bin Sayyar60 had entered Sogdia with a large body<br>of troops. From there, he sent letters to the rulers of Shash61<br>and Ferghana, inviting them to accept Islam and Arab rule.<br><br>Upon receiving the letter of Sayyar, threatening them from<br>head-to-toe, Arslan Tarhan called a Kurultay62 in his orda<br>located along Enchi Oghuz.63<br><br>Arslan Tarhan's younger brother, scholarly Alp Tekin was also<br>present at the kurultay, who possessed the Sogdian courtly64<br>eloquence, and familiarity with Arabic and Chinese. <br><br>At the time of the Kengesh,65 the Apatarhan66 Sebuk Tekinbek<br>looking at the quietly sitting Beks, mockingly stated: "We know<br>the Arabs! We must fight!" Then, giving a manly salute to Arslan<br>Tarhan sitting on his leopard skin covered throne, continued: <br><br>-- "My Hakan! Ugushlarim.67 We heard that both the Afshin68 of<br>Usrushana and the bahadir Tudun of Shash, are accepting the terms<br>of the Khaliph. We are now alone. That dog69 Tugasiyen killed<br>many of our brave young man. We have heavily pained our enemies,<br>despite the suffering of our yigits, untended horses, and<br>scarcity of our arrows in the quivers." Casting a glance at Alp<br>Tekin, he swallowed, and continued: "'If it is not possible to<br>chew the stone, it is necessary to kiss it,'70 said the<br>forefathers. Think about it!"<br><br>Sebuk Tekinbek, having amassed untold amount of goods in the<br>Talas battle71, was now weary, longing for the comforts of his<br>home.72 Alp Tekin knew his companion73 quite well. Sebuk Tekinbek<br>could behave like the father of a nasty boil! Keeping that in<br>mind, Alp Tekin did not immediately join the discussion, but<br>patiently listened to the other beys. The aged and not entirely<br>truthful beys, who have added flocks of sheep to their<br>possessions after the Talas battle, pessimistically pontificated<br>at length on the number and power of the Arabs, the weariness of<br>the Turk Bori,74 the difficulty of success against the prevailing<br>odds.<br><br>Sebuk Tekinbek arose, spoke of the tax exemption privileges<br>extended to those inhabitants of Bukhara and Samarkand who joined<br>the community of Muhammad75, and the fact that the dehkan76 were<br>not at all opposed to the state. <br> <br>"Deceitful posture" thought Alp Tekin, driving the topic out of<br>his mind "the lustre of gold is burning his heart. The Arabs<br>knowingly say 'the coquetry of gold causes the mejusi77 to accept<br>religion, it also grants tongue to the mute.' Perhaps Aka78 is<br>more concerned about his throne. He who is concerned about the<br>throne is not concerned with the affairs of the people. In order<br>for him to rule, he only needs healthy people. It does not matter<br>to him if the people are fire-worshippers or Muslims... Alas, in<br>this kurultay, I fear they sold their own Turk religion79 and<br>language. I wonder?" <br> <br>-- "Sebuk Tekinbek" said he, with fiery eyes. "Is it not true<br>that the bezirgan80 regularly visiting Tuput81 actually stop at<br>your place!" <br> <br>Arslan Tarhan appeared to be pained. The attention of the beys<br>turned to Alp Tekin. Alp Tekin, though eagerly awaited by the<br>beys, did not wish to continue with this harsh line. But, since a<br>light of treachery was thus cast on the indicated actions of<br>Sebuk Tekinbek, he was compelled to resume: -- "Look at these<br>swallows...82  Beys, perhaps with difficulty, they make their<br>nests, they rear their young which they brought to life, teach<br>them to fly; to these birds, without {the power of} reason,83<br>what is the benefit84 of this hardship?"85<br> <br>-- "So that the family86 of swallows does not become annihilated<br>in this land!"87 -- responded Alp Er Tunga, while casting a<br>raised eyebrow at the aged beys. <br> <br>-- "Live Long!" -- gratefully acknowledged Alp Tekin -- "Our<br>ancestors, much like these swallows, have reared us with the same<br>hopes; what do you think? Did they not devote their generation to<br>ours, so that our lineage would be perpetuated, the Turks would<br>not become extinct in this realm? Now, would we not be stepping<br>on the faces of our ancestors, losing them eternally, by<br>accepting the religion of a newcomer and forgetting our language;<br>if one of us did this, for fear of losing his fame,88 another<br>grief-stricken over lost gold; is that not true, beys? Is there a<br>more ugly deed in this blessed world?89 If there is, speak up,<br>beys?" <br> <br>-- "Brothers, to the enemy!" -- Alp Er Tunga shouted with<br>abandon, jumping to his feet, unsheathed his sword, looking<br>toward to the West.90<br> <br>-- "To the enemy, to the enemy!" -- echoed the other beys<br>immediately. <br> <br>However, Arslan Tarhan and Sebuk Tekinbek glanced at each other,<br>winking meaningfully. <br><br>Afterwards, Arslan Tarhan sent Alp Tekin to the Kitkan<br>fortified91 post... <br><br>While Alp Tekin was recalling these events in his mind, he was<br>keeping an eye on the approaching horsemen: two riders, two pack<br>camels. He surmised the identity of one of the riders from the<br>way he was trundling on the saddle: it must be Bugrabek. Alp<br>Tekin recognized the second rider as it burst through a cloud of<br>dust. His {Alp Tekin's} face turned red as if reflecting the<br>flames of a fire: Jibilga!  Mounting his purebred horse, to greet<br>them, he galloped towards the nearing young riders. In a short<br>time, the clouds of dust kicked up by both sides merged. <br> <br>                         *    *    * <br> <br>-- "So, what is the word from the orda?" <br> <br>Bugrabek took the opportunity of coupling his mouth to the<br>drinking vessel, containing crystal clear water of Kitkan,<br>capable of soothing away exhaustion, began chewing a mouthful of<br>bread. Jibilga was going in and out along with the servant girls,<br>rather than sitting at the side of Bugrabek, whose legs were<br>saddle bruised, whiling away time at the courtyard of the<br>korugan. This yigit, who had accompanied Jibilga from the orda,<br>was Sebuk Tekinbek's adopted son, representative of his family.<br>Bugrabek had a lazy nature, ordering around his father's<br>countless servants, not leaving the enclosure of the white tent.<br>He was a man who did not care what happened around him, even if<br>horses...92 would be taken away, he could not think of going<br>after them, but protecting the insects. Alp Tekin would say "if<br>it is not for the benefit of the insects, what use is the stubble<br>of the field?"93 whenever his eye encountered Bugrabek.  <br> <br>-- "Health in the orda" -- said Bugrabek with a wheeze. <br> <br>-- "What answer did they give to Nasr?" <br> <br>Bugrabek cleared his throat, scratched his neck. Alp Tekin became<br>impatient. <br> <br>-- "Do you have a tongue?" <br> <br>After some more minutes of wheezing, croaking and clearing his<br>throat, words began to fall out of Bugrabek's mouth like the<br>crumbs of a torn piece of bread: <br> <br>-- "By the grace of God... it was deemed appropriate to send a<br>white letter94 in response to Nasr's missive..."  <br> <br>-- "What are you saying?" -- bellowed Alp Tekin -- "You... Swine!<br>Are you speaking the truth?" <br> <br>He grabbed Bugrabek by the throat and shook him mightily.<br>Bugrabek collapsed as if he were deflated.95 Alp Tekin, standing<br>over the drained face of this adopted bey: <br> <br>-- "Speak" he said. <br> <br>-- "Beys held a kengesh... later... a messenger was sent to<br>Nasr... Nasr's regent96 will be arriving in Ferghana tomorrow...<br><br>-- "Satkinlar!97 Alp Er Tunga, Alp Turan?98 Did they not oppose?"<br><br> <br>-- "Alp Er Tunga and Alp Turan were beheaded..." <br> <br>-- "My God! What fate?" <br> <br>In the wrathful eyes of Alp Tekin, Bugrabek appeared as the<br>personification of scandalously corrupt Arslan Tarhan and Sebuk<br>Tekinbek. Preparing to separate body from head, he unsheathed his<br>sword. Bugrabek, with bloodshot eyes betraying fear, placed his<br>head on Alp Tekin's feet. Just as he aimed his sword at the hairy<br>neck of the adopted bey, like a predatory bird: <br> <br>-- "Alp Tekin, don't!" -- screamed Jibilga, as she ran in... <br> <br>-- "Offer a sacrifice to Umay,99 for the sake of Jibilga" --<br>groused Alp Tekin, as he sheathed his sword. <br> <br>Bugrabek did not brave standing up, he crawled away. <br> <br>-- "Alp Tekin..." -- Jibilga's wavering voice and the hesitant<br>look in her almond-shaped eyes became evident to Alp Tekin. <br> <br>-- "Alp Tekin, as you know, reportedly Nasr has amassed plenty of<br>troops... 'I am going to annihilate the Turks,' he is said to<br>have stated..." <br> <br>-- "Jibilga, what are you saying?" <br> <br>-- "It is said that Nasr is not going to collect kharaj or<br>jizye100 from us, only if we were to accept his religion. Alp<br>Tekin, I expect this condition will unite the Turks!" <br> <br>-- "For God's sake go away, go away Jibilga!" <br> <br>Alp Tekin was compellingly drawn to the banks of Kitkan river,<br>began splashing water onto his face. "Ey!" -- he roared, towards<br>the wide open spaces -- "where are you now, the glorious<br>batirs101 of the Turks, those of you who at one time held sway<br>from Chochon102 to Rum; from Altay to Boipin,103 where are you?" <br> <br>                              *   *   * <br> <br>Shadows were settling in from the East. The night quietly<br>embraced the Kitkan korugan with its helmeted guards visible at<br>the turrets on high walls. When darkness became total, the<br>scarlet tongues of flames leaping from the oven fireboxes<br>remained visible. Eternally defiant of night, yet again rearing<br>their heads, because light is born to the arms of darkness!.. <br> <br>-- "If we were to learn Arabic, speaking in this beautiful<br>language, will would be communicating with half of the world. It<br>indeed is the language of Bagdad, Damascus, used by the alp poets<br>of the world!" <br> <br>-- "You are forgetting the most powerful poetry in the world,<br>lullabies recited by our mothers as they stood over our<br>cradles,104 Jibilga!.." <br> <br>The flames in the hearth were casting a pale light upon Alp Tekin<br>and Jibilga, lying on the wooden platform, then causing a naked<br>sword on the floor to glisten before dissipating into the dark<br>corners of the house. Suddenly Jibilga reached over the bare<br>sword and touched the wrist of Alp Tekin with her long fingers.<br>Alp Tekin's flesh tingled, his body stiffened. <br> <br>-- "Alp Tekin, do you recall our talks at the apple orchard?" <br> <br>-- "Could those times be ever forgotten?" <br> <br>... Ah, those sweet memories, recalling the delightful times of<br>days past! Enjoying the exquisite melodies emanating from the<br>chankavuy105 played by Jibilga which would accompany drinking<br>kimiz,106 then, knowingly winking at each other, begin courting. <br> <br>Alp Tekin would silently visit his Toga's107 apple orchard, sit<br>and wait for Jibilga in the quiet corner. Their greeting the dawn<br>together was ostensibly unknown by anybody in Sebuk Tekinbek's<br>household, accepting the gifts of Tuput origin from Alp Tekin and<br>turning a blind eye to Jibilga's early morning outings, which<br>supposedly went totally unnoticed. <br> <br>When the moon reached overhead, as Alp Tekin's patience ebbed<br>from waiting, Jibilga would appear from the direction of the<br>water canal. <br> <br>During those heady days the sounds of the Enchi Oghuz would be<br>audible at the distance, until dawn... Ah, what would they not<br>discuss! Their intense discussions would inevitably turn to the<br>appreciation of the prominent Turks of the past, they would end<br>the night without sleep. "The land of Turks were in a single<br>religion at the time of Bumin108 Han and contemporaries, now some<br>worship fire, others became Manichean or Buddhist. What calamity<br>that it turned out so!" would say Jibilga. "What are you getting<br>at?" "It is necessary for the Turks to belong in one religion for<br>their future unity." "Did that thought originate from your<br>father?" "What do you think? He is not called the Tonyukuk109 of<br>Arslan Tarhan, by the Beys for nothing." "Which language of the<br>Tengri110 are we speaking in Jibilga? Our ancestors did not leave<br>us the pyramids of the Pharaohs, they only bequeathed us their<br>language. If we were to forget this language, would they not be<br>dried like a river absorbed into the sands? No, it is best to be<br>seeking refuge in fire -- worshipping the Tengri is the best<br>path. Actually, the mother of this realm -- is the sun and fire!<br>Worshiping the sun!" "The sun! Ha-ha-ha!" Jibilga's hearty<br>laughter reverberated in the orchard, causing {....}111 to come<br>out in a hurry, her hair reflecting the moon's glow. "If I were<br>the sun, I would not simply radiate, but I would have destroyed<br>the enemies of the people and bestow upon them life sustaining<br>warmth!"112  <br> <br>At times, while Jibilga played the changavuy, the melodies<br>seemingly melded with the silky light of the moon and draped like<br>a soft mist over the apple blossoms... <br> <br>-- "Alp Tekin, did you fall asleep?" <br> <br>Alp Tekin rubbed his eyes like a child about to fall into sweet<br>slumber. <br> <br>-- "Alp Tekin, listen, I have a few words for you." <br> <br>Alp Tekin quiveringly shook his head and looked. <br> <br>-- "Suppose I accept the new religion... What would happen?" <br> <br>-- "I do not have mercy upon those who betray113 their own<br>religion!" <br><br>Jibilga suddenly grasped the sword from its blade and placed the<br>hilt in Alp Tekin's hand: <br> <br>-- "In that case, strike!" <br> <br>-- "Jibilga!" -- cried out Alp Tekin, jumping to his feet. <br>  <br>-- "It has been three years since my father recited the creed,114<br>all of us, even Bugrabek..." <br> <br>-- "Jibilga!" -- to Jibilga, the frightening scream emanating<br>from the throat of the yigit resembled the moanings of a men who<br>has been hit by a dirk in the chest. <br> <br>Alp Tekin drew his knife and began slashing his own face...115<br>Jibilga's pearl-like tears were discernible in the reflecting<br>light.<br>                                 *  *  * <br> <br>-- "Brothers!" -- upon noticing the face of Alp Tekin, the troops<br>looked at each other as if to ask "Is Arslan Tarhan dead?" --<br>"Hear me! I rebelled against my own brother!116 You should know<br>that he was once a worshipper of fire.117 Now he has made his<br>religion, language, subservient to throne. Mind you, this is<br>religion, language; living in the bosoms, the tongues of each of<br>us, our homeland! The flowing Enchi Oghuz, plentiful apple<br>orchards and pastures are our homeland, but when we consider it<br>closely, there is another, altogether mighty homeland,<br>inseparable from our selves; that is, our language. Can any man<br>who ruthlessly discards this precious inheritance, homeland,<br>still be a lord in his own home? Tell me, people!" <br> <br>-- "Certainly not! Certainly not!" roared the troops. <br> <br>-- "Correct! Tomorrow the regent of Nasr is arriving in Ferghana.<br>Are there quarters for him in Ferghana? Tell me Turks!" <br> <br>-- "There is! But it is in the dark earth!" shouted the troops. <br> <br>-- "Good! Starting today, Orda of this homeland is Kitkan! The<br>Hakan of the people is me; I am Alp Tekinbek! I issue a<br>mobilization118 order to all Turks. We are going to defend the<br>korugan with all our might.119 No mercy to those who sell or buy<br>this homeland!" <br>                               *  *  * <br><br>Although Apatarhan Sebuk Tekinbek's troops were reinforced by the<br>ghazis120 arriving from Samarkand, and together they had laid<br>siege to Kitkan korugan for twenty days, they had been unable to<br>conquer it. The Apatarhan was most unhappy. He was incessantly<br>ordering new attacks, but an unknown number, according to some<br>rumors one thousand, or said some informants, one hundred Turk<br>troops defending the thick walls were keeping at bay a force of<br>five thousand. Those in the fortification had stockpiled naphtha<br>from the Chimyan mountain, which they were burning in bowls and<br>pouring onto those who came close to the walls, thereby keeping<br>them away. <br> <br>The water-wells began to dry-up with the choking of Kitkan<br>korugan by Sebuk Tekinbek. Food and drink was rationed and the<br>women and children who came to the korugan from surrounding<br>kishlaks121 began suffering. The use of naphta against the<br>attacks had to be carefully husbanded. The days of Kitkan korugan<br>appeared numbered when catapults from Usrushana and<br>reinforcements from Arslan Tarhan's orda arrived to aid the<br>attackers. All of the possessions of the korugan was defended by<br>some one hundred troops, who were rendered weak from<br>malnourishment and lack of water. <br> <br>In deep thought, Alp Tekin approached the distant guard room of<br>the korugan. Humidity greeted him upon opening the small,<br>squeaking door. As the door opened Jibilga rose, looking at the<br>entering figure, and faced away. At the corner, with beard and<br>hair unkept like weeds, Bugrabek was eating noisily with full<br>cheeks. Noticing Alp Tekin, he pressed his forehead to the ground<br>and rose. <br> <br>For a moment, both the yigit and the girl were silent. Alp Tekin<br>lowered his head: <br> <br>-- "Jibilga," he started, "give up that path! Do not turn your<br>face away from homeland!" <br> <br>-- "I am but a servant of God..." <br> <br>-- "Jibilga, but your father accepted that religion to preserve<br>his own wealth...122 <br> <br>-- "You are speaking in vain! My father wishes to unite his<br>subjects who are adherents of Zoroastrianism, Manicheanism,<br>Buddhism in one religion and language! <br> <br>Alp Tekin shook his head, Jibilga looked at him a moment and<br>noticed the bandaging on his arm:<br> <br>-- "What happened to your arm?" she asked. <br> <br>-- "An enemy sword touched it." <br> <br>-- "Alp Tekin!" Jibilga suddenly kneeled, put her head on yigit's<br>foot, began crying. "They will kill you! The entire population is<br>aware that your brother is afraid of you! If they were to kill<br>you, your brother will have his day. Could not a knowledgeable<br>yigit like you perceive that? If you were to go to them, they<br>would look after you. And then..." <br> <br>-- "I would ascend to my brother's throne?" Alp Tekin's voice was<br>weighty -- "No, I shall not climb to the throne treading on the<br>faces of my ancestors." <br> <br>-- "According to the defenders, korugan has a day remaining, it<br>is not late. Come, I can teach you the creed..." <br> <br>-- "I do not wish to reach Tengri shame-faced, as one who has<br>sold his religion and language!" <br> <br>-- "Ah my undesired path, my heart rends seeing the wound of your<br>marrow. When you undertake the fight, it is your stubbornness<br>that gnaws at me and not the rats of this damp dungeon. Still,<br>you do not speak of the future of our love?" <br> <br>-- "My heart is heavy, because you are correct Jibilga! I am<br>going to the orda of Tengri but is my woman coming as a detached<br>stranger to that heavenly dwelling? My heart and bosom is torn<br>saying this. This eternal separation will take place before we<br>are united in this world, Jibilga." <br> <br>Alp Tekin's voice strained, reached down to stroke Jibilga's<br>hair: <br><br>-- "Jibilga... Go, my love..." <br><br>-- "Alp Tekin, recite the creed... Recite the creed..." <br><br>Alp Tekin pulled his legs from Jibilga's embrace, left. <br> <br>                              *   *   * <br> <br>After dark enemy catapults breached the korugan walls in one-two<br>places. But the enemy could not gain inside access. Alp Tekin's<br>troops were heaving bowls full of burning naphta to keep them<br>away. It was clear that the remaining life of the korugan was not<br>long. <br> <br>                              *   *   * <br> <br>-- "Jibilga, I have half a day left in this life..." <br> <br>-- "There still is time to recite the Creed..." <br> <br>Alp Tekin sent for the Diviner.123 <br> <br>-- "Diviner, you know my love towards my woman. I do not wish her<br>to meet the Tengri with a blackened face." <br> <br>The Diviner knew of the circumstances. He stated to Alp Tekin: <br> <br>-- "Fire is the most fresh, greatest cure for ailing souls, a<br>sanctifying halo. Those who are bathed in fire will reach the<br>abode of Tengri purified of the past deeds, possessing cleansed<br>spirits..." <br> <br>Alp Tekin was shaken. <br> <br>-- "How horrifying your words are Diviner. You..." <br> <br>-- "Yes, fire, sacred fire will cleanse your woman from her past<br>deeds by separating the body from purified soul and send it to<br>Tengri. The fire, flames..." <br><br>-- "Jibilga!" terrified, dreading, sorrowful voice of Alp Tekin,<br>as if not his own, reverberated along the inner walls of the<br>korugan. Jibilga motioned in the negative "No, no." Tears<br>streaming from his eyes, Alp Tekin took refuge behind the<br>water-well. <br><br>In the middle of the korugan, preparations began to build a fire.<br>Dry logs were cut at the height of a human, placed upright in the<br>middle of the wood pile. <br><br>The sun was setting behind the mountains. <br><br>Jibilga arrived at the pile fearlessly. Then Bugrabek was<br>brought, by collar and trouser-cuff from the dungeon. He<br>screamed, grappling at the ankles of the guards, as two-three<br>guards dragged him towards the pile. <br><br>Bugrabek spotted Alp Tekin, in awe, crawled towards him. <br><br>-- "My Bey, I am no longer a Muslim. I gave up that strange<br>religion, I gave it up!" Crying, he grasped Alp Tekin's legs. <br><br>-- "Take this away!" Said Alp Tekin, holding himself back. <br><br>Jibilga was placed onto the pile and tied. <br><br>-- "Ey misled woman!" continued Diviner "For the last time I am<br>asking: leave the strange religion, that exploiting essence<br>lodged in your heart and mind; expel that God of Ahram124 from<br>your tongue..." <br><br>Suddenly a deep silence fell on the korugan. Even the bitterly<br>neighing horses quieted. <br><br>The setting sun cast an unprecedented scarlet hue on Jibilga,<br>bathing her in heavenly beams. Standing as if chiseled out of red<br>stone with ruby eyes, she resembled the standing statue of Umay. <br> <br>-- "Alp Tekin" suddenly the statue spoke "Recite the Creed,<br>become the leader to this homeland..." <br><br>-- "Ey Tengri!" screamed Alp Tekin "Why are you using my<br>forebears' language, applauding your god in that tongue? Who can<br>chase two preys at the same time, who was born from two mothers?<br>Mother tongue, motherland is in this heart; could there be two<br>hearts? Tell me Jibilga!" <br><br>Naphtha-soaked timbers roared with fire... <br><br><br>-- "Brothers!" said Alp Tekin, addressing his loyal troops "The<br>enemy is about to enter the korugan. We are one hundred, they,<br>ten thousand. These raiders are aiming not at our possessions or<br>our lives, but Tengri, and the language in our hearts and our<br>homeland. We are about to engage in one last battle for our<br>homeland. If we die, we shall do so showing the people that the<br>homeland is dearer than one's own life! We are the children of<br>the sun, we shall each die by becoming a sun!" <br><br>Alp Tekin ordered the naphtha to be brought forward. Mounting his<br>horse, he had himself sturdily tied to the saddle. Unsheathing<br>his sword: <br><br>-- "Pour naphta on me!" he commanded. <br><br>Understanding Alp Tekin's intention, the troops froze for a<br>moment,. Then, one, two, three... five... ten... one hundred of<br>them joined him. Naphta was poured over one hundred troops. <br><br>                              *   *   * <br><br>During the last attack of the enemy, the korugan gates were flung<br>open, and from inside issued... bellowing riders aflame. Ah-hey;<br>the mounts, the riders themselves and even the drawn swords,<br>powerfully grasped, were... on fire! The horses were running with<br>supernatural speed. The enemy was aghast. From the gates of the<br>korugan, the riders aflame kept issuing until the one hundredth,<br>all together charging the enemy. The horrified enemy army broke<br>like a sheep herd facing danger, began deserting piecemeal. <br><br>At that time, Kitkan river burst through its poorly constructed<br>temporary dam, reuniting with its previous channel, overwhelmed<br>those ghazis who attempted to seek refuge from the riding flames<br>in its bed. <br><br>As the tents came into contact with the riding flames, the<br>headquarters of the enemy caught fire. Camels went mad, foaming<br>at the mouth, without harnesses, began trampling the besieging<br>troops who had also gone mad. <br> <br>The ten thousand strong army of besieging adventurists began<br>running away disgracefully. Gallant men who had sacrificed<br>themselves to the sun so that the homeland could live on, kept<br>giving chase, burned and rode, burned and rode, burned and<br>rode... <br> <br> <br>AFTERWORD<br><br>To those familiar with history, the present Soviet<br>"restructuring" and "openness" are perhaps reminiscent of earlier<br>"thaws." Furthermore, it is unlikely that filling a few "blank<br>pages," will suffice to elucidate the missing portions of the<br>true Central Asian history. But, works such as SUN IS ALSO FIRE -<br>- if they are allowed to appear -- may be deemed an appropriate<br>precursor to true historical text writing. <br><br><br><br>NOTES<br> <br> 1. For a good treatment of this topic, with detailed examples,<br>see L. Tillet, The Great Friendship (Chapel Hill, 1969). <br> <br> 2. Russia in Asia Wayne S. Vucinich, (Ed.) (Stanford, 1972).<br>Vucinich also contributed to this volume. See his "The Structure<br>of Soviet Orientology: Fifty Years of Change and Accomplishment."<br> <br> 3. Rewriting Russian History: Soviet Interpretations of Russia's<br>Past, C. E. Black (Ed.) (New York, 1956). Black is also a<br>contributor. <br> <br> 4.  See H. N. Orkun, Eski Turk Yazitlari (Istanbul, 1936) for<br>the full text in the original "Orkhun" alphabet (Pp.23-55). Texts<br>in the Latin alphabet and English translations are found in T.<br>Tekin, A Grammar of Orkhon Turkic (Indiana, 1968). (Henceforth<br>Tekin, followed by the abbreviation of the cited stelas). This<br>quotation is from the KT (Kultigin) stelae.  <br>      The personal names of the editors of both works ought not<br>be confused with those of the monuments themselves. Moreover, I<br>should note that throughout I have followed the spellings as they<br>appear in the originally quoted sources.<br> <br> 5. W. Bartold, Turkestan Down to the Mongol Invasion (London,<br>1977) (4th Ed.). In succession, see Pp. (277-9); (228, 233, 239,<br>249-51, 261); (299); (100, 327, 354).  <br> <br> 6. See C. E. Bosworth, The Gaznavids: Their Empire in<br>Afghanistan and Eastern Iran, 994-1040 (Beirut, 1973) (2nd Ed.)<br>(Pp. 37-38); and F. Sumer Oguzlar (Turkmenler)(Istanbul, 1980)<br>(3rd. Ed.) (P. 57 et passim) for a detailed treatment of the well<br>known Alp Tekin (d. A. D. 963) who founded the Ghaznavids. <br> <br> 7.  Talas is the name of the river, as well as a city. See DLT<br>(P. 184); Bartold, Chapter Two. Further, see O. Pritsak,<br>"Karachanidische Streitfragen 1-4"  Oriens II. (Leiden, 1950). At<br>various times, several battles took place at Talas. Bartold (P.<br>195-196) states "...according to the narrative of the Arabic<br>historian, probably exaggerated, as many as 50,000 Chinese were<br>killed and about 20,000 taken prisoner, but in the Chinese<br>records the whole army of Kao-hsien-chih is given as 30,000<br>men...but it is undoubtedly of great importance.... In 752 the<br>ruler of Usrushana begged help against the Arabs from the<br>Chinese, but met with a refusal." <br> <br> 8. For Alp Er Tunga, see Tekin, KT, N7; BK, E31. DLT (Pp.<br>509, 605, 620).  <br> <br> 9.  Kutadgu Bilig (Henceforth KB. Completed A. D. 1069 in the<br>very domains used as the stage of the "story" at hand by Ibadin).<br>A Turkish edition is Yusuf Has Hacib, Kutadgu Bilig. R. R. Arat<br>(Ed.), Ankara, 1974) (2nd Ed.). KB is translated into English as<br>Wisdom of Royal Glory by R. Dankoff (Chicago, 1983). Citations<br>are from the latter, here couplets 276-282, (P. 48).  <br> <br> 10. Kasgarli Mahmud, Kitab Diwan Lugat at Turk {Henceforth DLT}.<br>Completed ca. A. D. 1074?/ 1077. Editio Princeps by Kilisli Rifat<br>(3 Vols.) (Istanbul, 1917-19). English Translation by R. Dankoff<br>and J. Kelly as Compendium of Turkic Dialects (3 Vols.)<br>(Cambridge, MA., 1982-84)}. The citations are from the<br>Compendium, here p. 33. For additional sources, see Emel Esin,<br>"Tonga and Odlek: On Kasgari's Version of the Afrasiab/Tonga Alp<br>Er Epic" Raiyyet Rusumu, Essays Presented to Halil Inalcik.<br>Journal of Turkish Studies, Vol 10, 1986. See G. Clauson, An<br>Etymological Dictionary of Pre-Thirteenth Century Turkish<br>(Oxford, 1972), (P. 515) for further observations. <br> <br> 11. DLT (P. 605). <br> <br> 12. See Tekin (Pp. 9-11, 283-290) for the English translation of<br>the text contained in the Tonyukuk monument. Also, F. Hirth,<br>"Nachworte zur Inschrift des Tonyuquq," Die altturkischen<br>Inschriften der Mongolei, W. Radloff (St. Petersburg, 1899).<br>Further, D. Sinor, "Qapqan," Journal of the Royal Asiatic Society<br>(1954). <br> <br> 13.  Sebuk Tegin appears to be a nom de guerre. For the<br>historical Bugra, see DLT (P. 206); Togan (Pp. 97-99), also<br>Bartold (Chapter Two, esp. Pp. 290-310). There are also a number<br>of other Bugra Han [Khan] of the same period. See Bosworth (P.<br>272, N. 26). See KB (Couplets 63-123). For Karakhanids, see O.<br>Pritsak, op. cit. For the Seljuks, in addition to Bartold, Sumer,<br>Bosworth, see A History of the Seljuks, G. Leiser (Tr. and Ed.),<br>(Carbondale and Edwardsville, 1988), and the sources cited<br>therein. <br><br> 14. For citations on Sebuk Tekin and Bugra Khans, see Bosworth<br>and the notes to the translation below. <br><br> 15. Z. V. Togan Turkili Turkistan (Istanbul, 1981) (2nd Ed.),<br>(Pp. 63, 98, 105). <br> <br> 16. Bartold, Turkestan, (P. 268); for the Rest of the Arslan<br>Khans, (Pp. 269, 275, 280-2, 285, 319-21, 328, 333, 335, 363,<br>366, 403-4, 442, 449). <br> <br> 17. See Tekin (Pp. 263). <br> <br> 18. M. Eliade, Shamanism; Archaic Techniques of Ecstasy<br>(Bollingen Paperback Series, 2nd Printing) (Princeton, 1974), (P.<br>206). <br> <br> 19. Z. V. Togan, Hatiralar (Istanbul, 1969), (Pp. 401-2).   <br><br>20. Clarification in () is by Togan himself. <br> <br> 21. Reference is found in N. A. Pashaev, Pobeda Kul'turnoi<br>revoliutsii v sovetskom Azarbaidzhane (Moscow: Nauka, 1976), (P.<br>118). See also (issuing body) Academy of Sciences of the USSR,<br>Ocherk istorii Azerbaidzhanskoi sovetskoi literatury (Moscow,<br>1963), which contains a synopsis (Pp. 145-146). Od Gelini was<br>reissued in the original, in the collective works of Jafar<br>Jabarli, Eserler Vol. I (Baku:Azarbaijan Devlet Neshriyati,<br>1968).  <br> <br> 22. See R. Pipes, The Formation of the Soviet Union (Harvard,<br>1954), (Passim). For an account of the tribulations of Crimean<br>Tatars in more recent times, see also Peter Reddaway (Ed.),<br>Uncensored Russia: Protest and Dissent in the Soviet Union<br>(American Heritage Press, 1972) Pp. 249-269. Further, see H. B.<br>Paksoy, "Chora Batir: A Tatar Admonition to Future Generations"<br>Studies in Comparative Communism Vol. XIX Nos. 3 &amp; 4<br>Autumn/Winter 1986;  Tatars of the Crimea: Their Struggle for<br>Survival, E. Allworth (Ed.), (Durham and London: Duke U P, 1988).<br> <br> 23. See Resat Cemilev, Musa Mamut: Human Torch, M. Serdar, (Ed.)<br>(New York: Crimea Foundation, 1986). Though this event had been<br>reported in the Western press, most of the documentation, through<br>interviews with eye witnesses, was originally compiled by Resat<br>Cemilev. R. Cemilev is another Crimean Tatar who has drawn<br>unwelcome attention of the Soviet authorities onto himself, not<br>the least for his efforts to document the case of Musa Mamut. On<br>R. Cemilev, see Reddaway, Uncensored Russia; also, The Crimean<br>Review Vol. III., No. 1., May 1988. A third Crimean Tatar who has<br>suffered a similar fate is Mustafa Cemilev (no relation to<br>Resat). On Mustafa Cemilev, see  Shest' Denei: Sudebnyi Protsess<br>Il'i Gabaia i Mustafy Dzhemileva, M. Serdar (Ed.), (New York:<br>Crimea Foundation, 1980). <br> <br> 24. See the citations in the translation.  <br>   25. For example, Afghan Halk Ertaklari,  Abdhalif Ganiev<br>(Editor) (Tashkent: Tashkent Section of Raduga Publishers, 1984).<br>The tiraj page contains the following synopsis: "Dear Readers! In<br>this work, examples of the oral creations from the Afghan people<br>are presented to you.... Afghan peoples' folk tales, from all<br>aspects, are related to the creations of the peoples of Central<br>Asia." (20,000 copies). <br><br> 26. M. T. Choldin, A Fence Around The Empire: Censorship of<br>Western Ideas under the Tsars (Duke U P, 1985); B. Daniel,<br>Censorship in Russia (Washington, 1979); Hugh Seton-Watson, The<br>Russian Empire 1801-1917 (Oxford, 1967). <br> <br> 27. For example, M. Dewhirst and R. Farrell, The Soviet<br>Censorship (Metuchen-NJ, 1973). See also L. Branson, "How Kremlin<br>Keeps Editors in Line," The Times (London), 5 January 1986, (P.<br>1). <br> <br> 28. See J. Soper, "Shake-Up in the Uzbek Literary Elite,"<br>Central Asian Survey (Henceforth, CAS), V 1, N 4, (1982). <br><br> 29. See, for example B. Dmytryshyn, A History of Russia (New<br>Jersey, 1977), (P. 516). <br> <br> 30. See, for example, Robert V. Daniels, A Documentary History<br>of Communism (Revised Ed.) Vol. 1, (Pp. 298-301, 356- 362).  <br> <br> 31. See, among others, D. Markov, Socialist Literatures:<br>Problems of Development (Moscow, 1984); T. Eagleton, Marxism and<br>Literary Criticism (London, 1976). <br> <br> 32.  See  A. H. Vambery, Travels in Central Asia (London, 1865).<br>Vambery masqueraded as a mendicant dervish across Central Asia,<br>around 1860-61. Upon his return to Europe, he wrote several books<br>on his adventures. See, for example, his Sketches of Central Asia<br>(London, 1868). See also C. W. Hostler, Turkism and the Soviets<br>(London, 1957). <br><br> 33. For archival references, see M. Kemal ke, "Prof. Arminius<br>Vambery and Anglo-Ottoman Relations 1889-1907" Bulletin of the<br>Turkish Studies Association, Vol. 9, No. 2. 1985. <br><br>  34. See Edward Ingram, The Beginnings of the Great Game in Asia<br>1828-1834 (Oxford, 1979); idem, Commitment to Empire: Prophecies<br>of the Great Game in Asia 1797-1800 (Oxford, 1981); idem, In<br>Defense of British India: Great Britain in the Middle East<br>1775-1842 (London, 1984). Although the major players were Britain<br>and Russia, Germany also joined later in the century and the<br>French were not disinterested. <br><br> 35. (Paris, 1896). <br> <br> 36. See Mogollarin Gizli Tarihi (A. Temir, Trans.) (Ankara,<br>1948), (P. 227). There are more recent English translations as<br>well, for example, by F. Cleaves. <br> <br> 37. See T. Allsen, Mongol Imperialism (Berkeley, 1987); M.<br>Rossabi, Khubilai Khan (Berkeley, 1988). <br> <br> 38. H. M. Government, Naval Staff Intelligence Department<br>(Oxford, November 1918). <br> <br> 39. (Leipzig, 1885). <br> <br> 40. On this work, see Togan's comments in Turkili (Pp. 560-563).<br><br> <br> 41. For additional references, see H. B. Paksoy, "Central Asia's<br>New Dastans" CAS Vol. 6, N. 1, 1987. <br> <br> 42. See J. M. Landau, Pan-Turkism in Turkey: A study of<br>Irredentism (London, 1981). Landau's book is primarily<br>concerned with the emigre aspects of "pan-Turkism." <br> <br>43.  Many studies have been made of the so-called language<br>reforms in the USSR. Among others, see especially Z. V. Togan,<br>Turkili Turkistan; Stefan Wurm, Turkic Peoples of the USSR: Their<br>Historical Background, their Language, and the Development of<br>Soviet Linguistic Policy (Oxford, 1954); idem, The Turkic<br>Languages of Central Asia: Problems of Planned Culture Contact<br>(Oxford, 1954). <br> <br> 44. A commentary and analysis of this work is found in C.<br>Carlson and H. Oraltay "Kl Tegin: Advice on the Future?" CAS, V<br>2, N 2 (1983).  <br> <br> 45. Published by Azarbaijan SSR Academy of Sciences, Nesimi<br>Institute of Linguistics. <br> <br> 46. Organ of the Kirghizistan Writers Union. <br> <br> 47. Henceforth Ibadin's footnotes are marked "FN", followed by<br>their number, and demarcated by double quotation marks "" from<br>the references and commentary supplied by the present writer.  <br>      "FN 1. halk." Budun is the original word in the text, which<br>denotes nation, people. For the earliest recorded use of "budun,"<br>see Tekin, P. 234, et passim. For an analysis of the word budun<br>as it occurs in the stelas, see Sumer; Also Clauson (P. 306). <br> <br> 48. The citation in Glistan correctly identifies the source, Kul<br>Tigin (or, Tekin. See definition above), but as dating from the<br>VII century. It must be noted that the Kl Tekin stelas themselves<br>carry the date 732 A. D. See W. Thomsen, "Inscriptions de<br>l'Orkhon dechiffrees," Memoires de la Societe Finno-ougrienne<br>(Helsingfors, 1896). See Tekin for the English translation (P.<br>267) of these stelas. This quotation is from KT E22.  <br> <br> 49. Orda (ordu) -- lit. home, or, headquarters, the seat of the<br>tribal confederation or recognized central authority. By<br>extension, in its historical setting, it also denotes an "army"<br>composed of all tents (i. e. families), belonging to one<br>federation. See Tekin, KT N8, N9. Also, DLT (Pp.74, 150, 173,<br>413). <br> <br> 50. "FN 2. servant." See Tekin, "qara," (passim). DLT (P. 543)<br>uses both "servant" and "slave" to explain karabash.  <br> <br> 51. Bey -- master, noble, leader of men, commander. See Tekin<br>(P. 311 et passim) "Bag, Bay." Also Clauson (Pp. 326-7 and 329). <br> <br> 52. "FN 3. Bahadir." Bahadir is a variant of the epithet<br>"batir," which is universally interchangeable with Alp. Moreover,<br>the root of "Alpagut" is Alp (defined in Note 4). See Tekin<br>"Alpagut" KT N7. Also DLT (Pp. 33, 74 et passim). Further,<br>Clauson (P. 127). For batir, see J. Hangin, A Concise English-<br>Mongolian Dictionary (Indiana, 1970), (P. 270). <br>      The last syllable in Alpagut may be a variation of "kut,"<br>wisdom, as found in KB. DLT (Pp. 83-4 and 627) explains Alpagut<br>it as an alp attacking the adversary singlehandedly, i. e.<br>sufficiently powerful and courageous to do so without companions.<br>Sumer (P. 552) indicates that Alpagut was an important grouping<br>within the Kara-Koyunlu state of the XVth century. Togan in<br>Turkili (P. 260) equates 19th and early 20th century usage of<br>Alpagut with "proprietaire, landholder, Gutesbeiter, pomeshchik."<br> <br> 53. Yigit is the traditional word for a young man of worthy<br>qualities. See DLT (Pp. 178 and 447). Also Clauson (P. 911). <br><br> 54. "The city of Git (Jit) was opposite Madhminiya, on the left<br>bank of the river (Amu Darya), near a mountain, behind which<br>began the steppe." See Bartold, (P. 151). <br><br> 55. "Tarhan" is utilized to denote a member of the ruling elite.<br>According to DLT (P. 180), "(it signifies a ruler) in the Argu<br>dialect." See Bartold (P. 184; 268); also Tekin (passim) "qagan".<br>Further, see R. N. Frye "Tarxun-Turxun and Central Asian<br>History," Harvard Journal of Asiatic Studies 14 (1951). See also<br>Pritsak, (inter alia, P. 221). <br><br> 56. Hakan= Khan, the ruler. See also, O. Pritsak, "Qara," Zeki<br>Velidi Togan'a Armagan (Istanbul, 1955).  <br><br> 57. Although the name Tugasiyen does not appear in that form in<br>the cited sources, Bartold (passim) deals with no less than 12<br>Tughan Khan who lived between the 11th and 13th centuries. Most<br>carried other names as well, suggesting that this, too, may have<br>been used as a "ruling title." In addition, Bartold cross-<br>references some of the holders of the epithet "Taj-al-Din" (Crown<br>of Religion) with "Tughan."   <br><br> 58. "FN 4. Usrushana, the old name for Uratepe." A city in Syr<br>Darya. See Togan (P. 27). Bartold (P. 166) cross-references this<br>city as Ura-tube. See also Tekin (P. 391).   <br><br> 59. "FN 5. The name given to Ferghana by the Chinese." Togan (p.<br>4) locates a pass called "Davanchin" in today's Xingjiang. The<br>latter is also referenced as 'Eastern Turkistan.' Togan also<br>explains "duvan" as having been extracted from "divan, the seat<br>of government" (p. 138) and provides two specific locations. <br> <br> 60. For Nasr bin Sayyar, see Bartold (Pp. 192-4 and 240 et<br>passim). The date A. D. 739, location Sirdarya, the office of<br>Sayyar and his deeds referenced by Ibadin agree with the<br>historical sources. <br> <br> 61. Shash is the old name for Tashkent. See DLT for the names of<br>the cities  and localities belonging to the Turks. See Togan (P.<br>69); Bartold (passim). <br>      It is also of note that in DLT (P. 198) Quyas (Kuyas) is<br>described as "a small district beyond Barsgan, inhabited by<br>Cigil." Another Kuyas, near Taraz (Talas) is also identified. DLT<br>also states (P. 21 and 198 et passim) "Cigil are a tribe of the<br>Turks." <br> <br> 62. Kurultay is also known as "kengesh," meaning assembly. It is<br>a basic pluralistic institution among the Turks found in the<br>earliest documents (and still practiced under various names and<br>forms), where matters of state is discussed and debated. The<br>selection of a ruler often is decided in a kurultay or kengesh.<br>For the root of Kurultay, see DLT. <br><br> 63. "FN 6. In old Turkish, this was the name of Sirdarya." See<br>DLT "Eki Oguz" (P. 42). Although not using the word "enchi,"<br>Togan (P. 50 et passim) and Bartold (P. 201 et passim) agree that<br>Oghuz (also spelled as Guzz or Ghuzz) were living along Sirdarya<br>during this time-frame. Bartold (P. 152) uses "Chakir-Oghuz<br>living in Istakri, in Sirdarya, bordering on Khorezmia. See also<br>O. Pritsak, "Von den Karluk zu den Karachaniden,"  Zeitschrift<br>der Deutschen Morgenlandischen Gesellschaft 101 (Wiesbaden,<br>1951), especially P. 276 ; idem, "The Decline of the Empire of<br>the Oghuz Yabgu" Annals of the Ukrainian Academy of Arts and <br>Sciences in the U.S., II. (New York, 1952). For a comprehensive<br>treatment of Oguz, see F. Sumer, Oguzlar. Kasgarli Mahmut<br>provides important and early information on Oghuz in DLT<br>(passim); The Book of Dede Korkut, Geoffrey L. Lewis (Tr.)<br>(London, 1974), provides further insight into the Oghuz. <br> <br> 64. "FN 7. Ihshid is the title of Sogdian rulers." Bartold (P.<br>93-5) spells it as "Ikhshid" of Sogd, whereas Togan (P. 98) uses<br>the form "Akhsid." See Also Frye, op. cit.  <br><br> 65. For Kengesh, see above, note on "Kurultay." <br><br> 66. "FN 8. In the army of the Turks, Commander-in-Chief." It is<br>found in KT, S14. In DLT (P. 536) there is a quatrain containing<br>"Apa Alp," associated with a body of troops. Togan (155-6) refers<br>to "Apak" being the leaders of troops located between Kashgar and<br>Ferghana during the 17th century. See also Notes above on Alp and<br>Tarhan. <br> <br> 67. "FN. 9 Ugush -- kardas." From 'karindas,' {lit.} 'of the<br>same womb;' hence, in this case, 'brother.' Thus "ugushlarim" is<br>"my brothers." DLT (P. 43) contains "Okush" with the meaning<br>"clan." This word also means "(native) intelligence." Loc. cit. <br> <br> 68. "FN. 10 Afshin and Tudun are the titles given to the rulers<br>of Usrushana and Shash." Tudun is found in Tekin, BK E40. DLT (P.<br>40) has "Afshar," identified as a branch of Oghuz, a tribe of the<br>Turks. Bartold (P. 211) refers to a particular individual as<br>having "achieved great renown under the name of Afshin, (the<br>title of the princes of Ushrushana)...who was executed in A. D.<br>841." Further, see Frye, op. cit. <br> <br> 69. "FN 11. Itlik means it (dog)." <br> <br> 70. This is a proverb taken directly and verbatim from DLT;<br>P.92. <br> <br> 71. Discussed above.  <br> <br> 72. Ibadin uses "tov," referencing the traditional and well<br>known cylindrical steppe tent. It must be noted that he word<br>"yurt," usually associated with that tent is not entirely<br>correct, since "yurt" refers to the mark left by the tent on the<br>steppe grass or ground, after it has been removed. Hence, yurt<br>means "homeland." The actual word for tent is "tirik," i. e.<br>erect, erected. <br> <br> 73. The word used by Ibadin, "tagoysi," has several meanings:<br>companion, elder; from the root "toga," brother-in-law. It is<br>also a form of address, denoting respectful deference. Here, the<br>exact inference is unclear. <br> <br> 74. "FN 12. In the regular Turk army, permanent troops." DLT (P.<br>542) defines bori as wolf -- "proverb: The wolf does not eat his<br>neighbor." Thus the soldiers are being likened to the wolf, the<br>totem of early Turk tribes and sometimes regarded as the semi-<br>mythical forebear of the Turks. See also H. B. Paksoy, "The<br>Traditional Oglak Tartis Among the Kirghiz of the Pamirs,"<br>Journal of the Royal Asiatic Society, 1985, Part II. Further, D.<br>Sinor, "Some Components of the Civilization of the Turks: 6th to<br>8th Century A. D." Altaistic Studies: Papers Presented at the<br>25th Meeting of the PIAC. G. Jarring and S. Rosen (Eds.)<br>(Stockholm, 1985).<br>   <br> 75. The reference is, of course, to the Prophet of Islam, thus<br>to becoming a Muslim; the community of believers is the "umma".<br>For umma, inter alia, see M. G. S. Hodgson, The Venture of Islam<br>(Chicago, 1974) (passim). <br> <br> 76. "FN 13. Rich landholder." Bartold (passim), also uses this<br>definition. <br> <br> 77. Ibadin uses the word "mejusi" (lower case), which means both<br>"fireworshipper" (a popular if incorrect reference for<br>Zoroastrians) and "strange(r)."  <br><br> 78. The reference is to Arslan Tarhan. <br> <br> 79. According to the late I. Kafesoglu, the original religion of<br>the Turks was the worship of "Tanri," a monotheistic belief,<br>quite different from shamanism. See his Turk Milli Kltr<br>(Istanbul, 1984) (3rd Ed) Pp. 295-7, and the sources cited<br>therein. Rene Grousset, in Empire of the Steppes (N. Walford Tr.)<br>(New Brunswick-NJ, 1970), identifies the word "Tangri" as "Turkic<br>and Mongol" meaning "Heaven" (p. 20); he states (p. 23) that the<br>Hsiung-nu (considered as Turks and often identified with the<br>Huns) practiced a religion that "was a vague shamanism based on<br>the cult of Tangri or Heaven and on the worship of certain sacred<br>mountains." Based on Pelliot and Thomsen, he seems to confirm<br>Kafesoglu's contention of monotheism, but still related to<br>shamanism:  "The moral concepts (in the Kul Tigin stela)... are <br>borrowed from the old cosmogony which formed the basis  of Turko-<br>Mongol shamanism... Heaven and earth obeyed a  supreme being who<br>inhabited the highest level of the sky  and who was known by the<br>name of Divine Heaven or  Tangri." (p. 86) "Tengri" (in this<br>form) is referenced in Tekin KT (passim); DLT (passim). Consult<br>also Eliade, who identifies Tangri only as one god of the Yakut<br>(p. 471); elsewhere he describes the hierarchy of gods (Chapter<br>6). <br> <br> 80. "FN 15. Savdakar (merchant)." Here, those merchants<br>travelling with caravans. <br> <br> 81. "FN 14. The old Turk name for Tibet." It is found in Tekin,<br>KT E4, BK E5. Bartold (Pp. 200-202) provides the backdrop for the<br>alluded relations and events; he also describes (P. 66 et passim)<br>trade with Tibet. DLT (P. 179) has an entry under `Tubut,'<br>referring to "a large tribe in the lands of the Turks..." <br> <br> 82. On the swallow, see DLT P.169. <br> <br> 83. "FN 16. Ug (reason, intelligence)." DLT (P. 93) uses the<br>form "us". <br> <br> 84. "FN 18. Asig (benefit)." Found in DLT (passim). <br><br> 85. "FN 17. Emgak (hardship, suffering)." In DLT (P. 145) as<br>"amga." <br> <br> 86. Urug -- family. In DLT (P. 44 et passim); also meaning<br>"seed." <br> <br> 87. Ibadin uses the old word ajun to denote realm instead of a<br>later borrowing, dunya. See DLT (P. 33). <br> <br> 88. "FN 19. Ad (Fame, renown, reputation; also, `name')." <br><br> 89. Ibadin uses the phrase agus ajun. For ajun, see above. Agus<br>denotes halo, enlightened, under the oneness of God. <br><br> 90. The direction from whence the invasion was issuing. <br><br> 91. Perhaps this "fortified post" (korugan), if it existed, is a<br>response to the "ribat" system used in Central Asia by the Arab<br>invaders (recalling similar Roman posts of an earlier location<br>and era), to hold on to their conquests, to contain counter-<br>attacks from the steppe. For ribat, see Bartold (passim); Hodgson<br>(passim). Later, Russian Imperial armies utilized a similar chain<br>of "fortresses" during the 18th century to expand across the<br>steppe, and later (19th c.) southward into Central Asia from the<br>West. See, inter alia, Togan (passim); G. J. Demko, The Russian<br>Colonization of Kazakhstan 1896-1916 (Bloomington, 1969). <br> <br> 92. Horse is probably the most valuable and esteemed possession<br>in Central Asia. <br> <br> 93. The word tunka (used in Ibadin's text here) also intimates a<br>worthlessly, incurably slothful person. <br> <br> 94. "FN 20. Accepting the demand." <br> <br> 95. In order not to interrupt the narration, I adopted this<br>phrase, to generally convey the image intended by Ibadin. He<br>manages to pack a number of "pictures" into precious few words<br>for which there is little or no English cultural counterpart. (I<br>term that method "indexing.") The original allusion is to the<br>manner with which Central Asian households of the period<br>organized their belongings, their clothes, with the specific<br>terms applied to those materials -- the way these bundles might<br>be untidily strewn over the ground under some force,  such as the<br>one experienced by a wrestler (a most popular sport) in a<br>competition, especially when thrown on the ground by the winner;<br>when the wrestler thrown would look as if his "stuffing" has been<br>torn out. The image is imparted by the description of Bugrabek's<br>posture and the particular words bellowed by Alp Tekin. On<br>occasion, elsewhere in the text, I have made use of the nearest<br>English equivalent phrases in the same vein, when not doing so<br>would have required the insertion of additional lengthy<br>explanatory paragraphs, thus impeding the flow. <br> <br> 96. "FN 21. yogunchi (lieutenant, regent)." <br> <br> 97. In this context, Satkinlar: those who are sold; not only<br>materially, but also spiritually, mentally, morally corrupt;<br>criminal. <br> <br> 98. See Bartold (P. 64) "Amu Darya as the customary official<br>boundary between Iran and Turan..." The word Turan occurs in the<br>Shahname, the Persian epic compiled by the celebrated poet<br>Firdawsi. In that context, Turan referred to non-Iranians to the<br>East. See also Togan (P. 78, et passim).<br><br> 99. "FN 22. Turk Goddess." See Tekin, KT, E31; T II, W3.<br>Kafesoglu (P. 289), citing A. Inan, traces "Huma" to<br>Iranian-Indian beliefs. See also D. Sinor, " 'Umay,' a<br>Mongol spirit honored by the Turks." Proceedings of<br>International Conference on China Border Area Studies.<br>National Chengchi University. (Taipei, 1985), Pp. 1771-1781.<br><br> 100. For Jizya (poll-tax paid by non-Muslims), see Hodgson (V.<br>1:270); also, F. Rahman, Islam (Chicago, 1966), P. 28.<br>Haraj (also styled kharaj), is tributary land-tax paid by<br>non-Muslims under Muslim rule. See Bartold (P. 188); Hodgson (P.<br>270). See also Bartold for taxation under Umayyads (Pp. 187-192),<br>Abbasids (Pp. 204, 220), Samanids (Pp. 220,<br>238-40), Ghaznavids (Pp. 287-293). <br> <br> 101. As in "alp." See above. <br> <br> 102. "FN 23. Korea." <br> <br> 103. Rum is the customary designation of lands located<br>adjacent to the Western edges of Central Asia. See DLT<br>(passim). For example, Ottomans were referenced as "Rumi" by<br>those residing to the East of them. See, inter alia, History of<br>the Islamic Peoples, C. Brockelmann (Ed.) London, 1982)<br>(7th printing) P. 257. Altai is the mountain range. DLT (P. 58)<br>suggests that a portion of that range may also have been<br>referenced as Altun Kan. Boiping(gac) (Beijing? Bayingyi?<br>Beypil?) is open to interpretation. Moreover, many extant<br>oral literary works -- not yet fixed on paper -- still keep<br>native geographical place names alive. See Togan Turkistan<br>(Pp. 564). <br> <br> 104. This argument, inter alia, is reminiscent of the first<br>editorial of Jelil Memmedkuluzade, writing under the<br>pseudonym Molla Nasreddin, during 1906 in the <br> didactic-satirical journal Molla Nasreddin. "... it is<br>necessary to recall the days past: remember those days when your<br>mother rocked you in your crib, she sang you lullabies in the<br>Turkish language..." See H. B. Paksoy, "Elements of<br>Humor in Central Asia: The Example of the Journal Molla<br>Nasreddin in Azerbaijan" Turkestan, als historischer Faktor und<br>politische Idee (B. Hayit Festschrift), Erling von Mende (Ed.)<br>(Koln, 1988). <br> <br> 105. "Chankavuy" is a musical instrument played with the lips<br>and the tongue. For a description, with photographs, see Bolat<br>Sariba(ev), Kazaktin Muzikalik Aspaptari (Musical Instruments of<br>the Kazakhs) (Alma Ata: Jalin, 1978), (Pp.<br>64-67). <br> <br> 106. Also known as qumiss, etc. See, inter alia, DLT (P. 184).<br>It is still an immensely popular drink, contains --due to the<br>fermentation process in its preparation-- natural alcohol.<br>However, it is not in the same category as hard liquor,<br>possessing much less intoxicating agents. It is not plentiful<br>year round owing to the seasonal elements.   Russians became<br>aware of the nourishing and rejuvenating qualities of kimiz after<br>their occupation of Kazakhstan. Currently, several sanatoriums<br>are operating in the Kazakh steppe where ingestion of kimiz is<br>the primary dietetic and therapeutic prescription, especially<br>against diagnosed tuberculosis. Probably this discovery of the<br>beneficial effects of kimiz on TB caused Moscow to reconsider and<br>relax the sovhoz-kolhoz rules in the area, in order to insure the<br>maintenance of large herds of mares necessary to supply the<br>sanatoriums where the CPSU Officialdom is treated. <br><br> 107. Reference is to Jibilga's father. See above for the<br>comments pertaining to Togaysi.  <br> <br> 108. Bumin Han is a Turk prince, referenced in KT, E1 and BK,<br>E3. See Tekin (Pp. 263 and 263). <br> <br> 109. "FN 24. During the I. and II. Turk Kaganates, a very high<br>ranking political personage."  <br> <br> 110. See above for Tengri. <br> <br> 111. At the end of this paragraph, in the type-setting process,<br>the text is overlaid by one of the ornamental drawings -- by J.<br>Umarbek(ov) -- illustrating the story, hence obscuring several<br>words. The illegible words appear to be further elaboration of<br>the circumstances in metaphorical terms. <br> <br> 112. "FN 25. Fire, warmth." <br> <br> 113. "FN 26. Treason, rebellion." See "kutgu" in DLT (Passim). <br> <br> 114. Creed is one of the Five Pillars of Islam, "There is no God<br>but God and Mohammed is his messenger." According to doctrine,<br>anyone reciting this creed knowingly will become a Moslem. <br> <br> 115. "FN 27. The ancient Turks gashed their faces upon the death<br>of a close kin." Hence, shedding bloody tears. See also Lewis,<br>The Book of Dede Korkut (passim); Grousset (Pp. 23 and 87). <br> <br> 116. Aka -- elder brother. <br> <br> 117. The drawings again obliterated a word each of the<br>preceeding two sentences. Therefore, from the flow of the<br>sequence, I endeavored to reconstruct the context. <br><br> 118. "FN 28. Kilkuyruk is an order to begin general<br>mobilization." <br> <br> 119. "FN 29. Amul is caution, stronghold." See DLT (Pp. 49-50). <br> <br> 120. Ghazi are the fighters for Islamic belief. Many  sources<br>provide description. For example, see Hodgson (passim). <br><br> 121. Kislak is the winter quarters, as opposed to yaylak, the<br>summer pastures. <br> <br> 122. "FN 30. Sokinchida (to take action)." For the root, see DLT<br>(P. 273). <br> <br> 123. Ibadin uses kahin, which also means priest, seer.  <br><br> 124. Reference is to Ahram, the god of evil in Zoroastrianism. <br><p>This counter has been placed here on 28 February 1999 </p></pre>
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